Category Archives: Performance art

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This Sunday, come Explore San Francisco and create some wonderful Mother’s Day memories to last a long time.

Take Mom out for a food tour and a cruise on the Bay for only $64!
Choose any of these food tours:

  • North Beach at Night
  • Mission Vegetarian
  • Little Saigon
  • Mission District South (24th Street)
  • The Real Chinatown

Paired with a Bay Cruise on San Francisco Bay!


To make reservations or for more information, please call:415.504.3636 x 102 or email: reservations@exploresf.bizLimited number of spots available
Golden Gate Bay CruiseOperated by:

Red and White Fleet

Give her the fun day she deserves
While making memories to last a lifetime

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Prague flower shop

Prague flower shop (Photo credit: jafsegal)

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The Story of Oofty-Goofty

The Story of Oofty Goofty So far as journalistic or public knowledge went, Oofty Goofty had no other name than this singular appellation, which he acquired during his first appearance before his San Francisco public, as a wild man in a Market Street freakshow. From crown to heel he was covered with road tar, into which were stuck great quantities of horsehair, lending him a savage and ferocious appearance. He was then installed in a heavy cage, and when a sufficiently large number of people had paid their dimes to gaze upon the wild man recently captured in the jungles of Borneo and brought to San Francisco at enormous expense, large chunks of raw meat were poked between the bars by an attendant. This provender the wild man gobbled ravenously, occasionally growling, shaking the bars, and yelping these fearsome words: “Oofty goofty! Oofty goofty!” He was, naturally, immediately christened Oofty Goofty, and as such was identified to the day of his death.

For a week or so he was a veritable histrionic sensation, the wildest wild man ever exhibited on the Pacific Coast. Then, since he could not perspire through his thick covering of tar and hair, he became ill and was sent to the Receiving Hospital. There physicians vainly tried for several days to remove Oofty Gooftys costume without removing his natural epidermis as well. He was at length liberally doused with a tar solvent and laid out upon the roof of the hospital, where the sun finally did the work.

Thereafter Oofty Goofty eschewed character parts and decided to scale the heights of theatrical fame as a singer and dancer. He obtained a place on the bill at Bottle Koenigs, a Barbary Coast beer hall which also offered a low variety entertainment. There he danced once and sang one song. He was then, with great ceremony, thrown into the street. In reality this was a very fortunate experience, as it indicated his future career, or, as he termed it, his “work.” Oofty Goofty was kicked with considerable force, and landed heavily upon a stone sidewalk, but to his intense surprise he discovered that he was, apparently, insensible to pain.

Newspaper advertisement: Standard Dime Museum,...

Newspaper advertisement: Standard Dime Museum, San Francisco, announcing "The Hairy Wild Man" aka Oofty Goofty (Photo credit: Wikipedia)

This great gift he immediately proceeded to capitalize, and for some fifteen years, except for occasional appearances at the Bella Union as a super, and a short engagement as co-star with Big Bertha, he eked out a precarious existence simply by letting himself be kicked and pummeled for a price. Upon payment of ten cents a man might kick Oofty Goofty as hard as he pleased, and for a quarter he could hit the erstwhile wild man with a walking-stick. For fifty cents Oofty Goofty would become the willing, and even prideful, recipient of a blow with a baseball bat, which he always carried with him.

He became a familiar figure in San Francisco, not only on the Barbary Coast, but in other parts of the city as well. It was his custom to approach groups of men, in the streets and in bar-rooms, and diffidently inquire: “Hit me with a bat for four bits, gents? Only four bits to hit me with this bat, gents.” Oofty Goofty was knocked off his feet more times than he could remember, but he continued to follow his peculiar vocation until John L. Sullivan hit him with a billiard cue and injured his back.

Not long afterwards Sullivans pugilistic standing was impaired by James J. Corbett, the pride of San Francisco, and Oofty Goofty always felt that Corbett had acted as his agent in the matter. Oofty Goofty never entirely recovered from his encounter with Sullivan. He walked with a limp thereafter, and the slightest blow made him whimper with pain. With his one claim to distinction gone, he soon became a nonentity. He died within a few years, but medical authorities said that Sullivans blow had not been a contributing cause. –From Herbert Asburys The Barbary Coast. HOME

via the story of oofty goofty.

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Hotel Hugo site specific art installation – Defenestration is now 16 years old – Brian Goggin

 

Defenestration Installation

Defenestration

1997-present

(Site-specific installation on the corner of 6th and Howard St. in San Francisco)

This multi-disciplinary sculptural mural involves seemingly animated furniture; tables, chairs, lamps, grandfather clocks, a refrigerator, and couches, their bodies bent like centipedes, fastened to the walls and window-sills, their insect-like legs seeming to grasp the surfaces. Against society’s expectations, these everyday objects flood out of windows like escapees, out onto available ledges, up and down the walls, onto the fire escapes and off the roof. “DEFENESTRATION” was created by Brian Goggin with the help of over 100 volunteers.

The concept of “DEFENESTRATION”, a word literally meaning “to throw out of a window,” is embodied by both the site and staging of this installation. Located at the corner of Sixth and Howard Streets in San Francisco in an abandoned four-story tenement building, the site is part of a neighborhood that historically has faced economic challenges and has often endured the stigma of skid row status. Reflecting the harsh experience of many members of the community, the furniture is of the streets, cast-off and unappreciated. The simple, unpretentious beauty and humanity of these downtrodden objects is reawakened through the action of the piece. The act of “throwing out” becomes an uplifting gesture of release, inviting reflection on the spirit of the people we live with, the objects we encounter, and the places in which we live.

The ground level has served as a rotating gallery

for the vibrant artwork of street muralists.



Operation Restore Defenestration

See Defenestration in person 

»»» See the restoration of Defenestration online

via Brian GogginDefenestration – Brian Goggin.

English: The "Defenestration" art pr...

English: The "Defenestration" art project by Brian Goggin on a building at 6th Street and Harrison Street in San Francisco. (Photo credit: Wikipedia)

Site-specific installation by Dan Flavin, 1996...

Site-specific installation by Dan Flavin, 1996, Menil Collection (Photo credit: Wikipedia)

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Kick Off Spring with These Three Art Shows | 7×7

Kick Off Spring with These Three Art Shows

Katharina Wulff, Die Verbindung (The Connection), 2008; oil on canvas;

48 1/16 x 68 7/8 in. (122 x 175 cm); Olbricht Collection; © Katharina

Wulff

The city’s museums now have their major exhibitions out and swinging (you’ve seen Foto Mexico and Gaultier; the ads plastered over town are maybe coaxing a return visit) and the gallery circuit is on the cusp of exploding into a big spring season. Our suggestion: take this weekend to explore some of the Bay’s slightly smaller, considerably less hyped, but no doubt equally fascinating museum shows. Here are three picks.

New Work: Katharina Wulff at SFMOMA

Katharina Wulff is unmistakably contemporary in how freely she channels the modern. Befitting for an institution that hangs the likes of Matisse and Dalí, Wulff’s whimsical and captivating paintings are at turns Fauvist, Surrealist and Dada. The whole of art history is the Moroccan-based artist’s playground.

Consisting of twenty works, this showing marks the artist’s first ever solo exhibition in the U.S., and, more importantly, her west coast debut. What can you expect? Much in the way of fantastical landscapes, confused perspective, bizarre-looking animals and still more bizarre-looking people. They brim with color and intrigue, never staying too long in any one place.

Katharina Wulff runs through September 4, 2012, at SFMOMA, 151 3rd Street

Modern Cartoonist: The Art of Daniel Clowes at Oakland Museum of California

Don’t call them comic books. The twenty first century graphic novel has elevated the panel-illustrated narrative to unprecedented heights. It’s been a thrilling and lucrative progression, and Oakland’s own Daniel Clowes has been at the forefront from the beginning. Some accounts would place this remarkably gifted illustrator, who has over fifty publications under his belt as well as an academy award nomination for screenplay, as the genre’s reigning patriarch.

The OMCA’s sprawling, installation-based show marks the first major survey of Clowe’s work to date. Complete with original drawings, artifacts and an extensive full-color monograph, this form of recognition is long overdue.

Modern Cartoonist runs through August 24, 2012, at Oakland Museum of California, 1000 Oak Street

Femmescapes at Mills College Art Museum

Femmescapes at Mills College Art Museum

A group of Mills College students were given a pretty amazing opportunity: to freely mine Lenore Pereira and Rich Niles’ marvelous collection of contemporary work by women artists. With names like Louise Bourgeois, Ann Hamilton and Francesca Woodman on the roster, this is a trove that many professional curators would probably kill for a chance to have at.

The resulting exhibition, Femmescapes, explores the various conceptual and metaphorical intertwinings of femininity and environment – nature as a woman, woman as land (lush, fertile, barren, etc.), body as landscape. Featuring about 40 works of painting, video, photography and sculpture, this is a unique glimpse not to be missed.

Femmescapes is on view Saturdays and Sundays only, through May 6, at 70 South Park

via Kick Off Spring with These Three Art Shows | 7×7.

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What's happening today: Saturday, April 21, 2012 Sf Gate, Bay Guardian, Gay Cities Events

What’s happening today: Saturday, April 21, 2012

There is a lot happening today.

Deep Green Festival

A CELEBRATION OF CANNABIS, HEALTH & ECOLOGY

Not your average stoner gathering, the Deep Green Fest focuses on the utility of hemp as an economic andenvironmental resource. Political activists take note: a full day’s worth of lectures on cannabis policy is on tap, as well as 215 smoking areas and tons of smoke- friendly live jams on the numerous stages. noon-midnight, $12–$25 festival-only; $60–$75 conference admission.  Craneway Pavilion, 1414 Harbour, Richmond. (510) 735-1133, http://www.deepgreenfest.com

Cesar Chavez Festival– For too many of us, Cesar Chavez Day passes by in a blur of I’m-not-at-work (or dammit-I’m-at-work) chaos. We don’t really stop to celebrate the man, and that’s a shame because as you can tell from the way Rainbow Grocery shuts its door to celebrate him, he was a seminal figure in California history, Chicano history, and labor movement history. Luckily, we all get a hall pass this and every year if we didn’t observe the man on his state-sanctioned holiday. Today, the Mission will be marked by a parade in his honor, leading to a street fair on 24th Street with live music by Carlos Santana’s son Salvador, local hip-hop phenom Bang Data, and the Cuicacalli Youth Ballet Folklorico, among many other acts. 11am parade; noon-6pm fair, free Street fair: 24th St. between Bryant and Treat, SF (415) 621-2665, http://www.cesarchavezday.org

San Francisco Cherry Blossom Festival Today, 220,000 Attendees expected.

Today, Saturday, Apr 21 10:00a to 7:00p
at San Francisco Cherry Blossom FestivalSan FranciscoCA
Price: FREE to attend
Phone: (415) 563-2313
Age Suitability: All Ages

This year’s Northern California Cherry Blossom Festival will be held on Saturday and Sunday April 14-15 and April 21-22, 2012. All are welcome to join in the festivities as we celebrate Japanese and Japanese American culture in San Francisco’s Japantown! The festival will be held on Post Street between Laguna and Fillmore Streets. There will be food booths, cultural performances, martial arts, live bands, the annual Queen Program, and more. The Grand Parade will be held on April 22, beginning at City Hall and concluding in Japantown. The Northern California Cherry Blossom Festival is said to be the second largest festival outside of Washington, D.C. to celebrate the blooming of cherry blossoms; and held at one of three remaining Japantowns in the United States.

Steve Silver’s Beach Blanket Babylon

Today, Saturday, Apr 21 6:30p
at Club Fugazi, San Francisco, CA
The always-changing Steve Silver’s Beach Blanket Babylon is the world’s longest running musical revue. Packed with hilarious spoofs of pop culture & political characters, outrageously gigantic hats and one show-stopping number after another, the show continues to dazzle audiences at Club Fugazi in San Francisco’s North Beach district. read more
Categories: ComedyMusicals

Berkeley Dance Project 20122

Today, Saturday, Apr 21 8:00p
Three new choreographic works explore the theme of transformation. Amara Tabor-Smith will use the Sabar dance form as a metaphor for personal growth and cultural shifts; Stephanie Sherman will explore assimilation using costumes to challenge traditional ideas of identity; and Lisa Wymore will experiment with ritual and heightened physical states. read more
Categories: DancePerforming Arts

via San Francisco Bay Guardian | News, Politics, Music, Arts, Culture.

 

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The Naked and Famous

Today, Saturday, Apr 21 9:00p
at The Warfield, San Francisco, CA
The Naked and Famous New Zealand indie electronic ensemble the Naked and Famous make driving, melodic pop with an ’80s post-punk influence. Centered around the talents of vocalist Alisa Xayalith and instrumentalist/vocalist Thom Powers, the band formed in 2008 and released two EPs before adding members to play live….
Monty Pythons Spamalot Monty Pythons Spamalot 
The funniest show on earth is back to taunt San Francisco for a second time! Winner …
4/21/2012 Saturday 2:00p Orpheum Theatre, San Francisco CA
Featuring:  Monty Python’s Spamalot

Bill Bellamy  Bill Bellamy

4/21/2012 Saturday 9:30p Cobb’s Comedy Club, San Francisco CA
Featuring: Bill Bellamy

4th Annual Goat Festival  4th Annual Goat Festival

A Celebration of All Things Goat! – co-hosted by CUESA.org (the Center for Urban Education about Sustainable Agriculture) …

4/21/2012 Saturday 10:00a to 1:00p Ferry Plaza Farmer’s Market, San Francisco CA

Thats What She Said! That’s What She Said!

That’s What She Said is a variety show full of awesome women. This show features … 4/21/2012 Saturday 7:30p The Garage, San Francisco CA
Featuring: Caitlin Gill

The Fashion World of Jean Paul Gaultier: From the Sidewalk to the CatwalkThe Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk

Dubbed fashion’s enfant terrible, Jean Paul Gaultier launched his first prêt-à-porter …

4/21/2012 Saturday 9:30a to 5:15p
de Young Museum, San Francisco CA
  The Caretaker The Caretaker
The Caretaker – first performed in 1960 – was Harold Pinter’s first big hit. Fifty …

4/21/2012 Saturday 2:00p
Curran Theatre, San Francisco CA
Featuring: Jonathan Pryce
NPRs Says You! NPR’s Says You!
Host Richard Sher and hilarious panelists Barry Nolan, Francine Achbar, Tony Kahn …

4/21/2012 Saturday 2:00p
Jewish Community Center of San Francisco, San Francisco CA

Gay San Francisco Happenings Today Saturday 21, 2012

 

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Heading East: Artists in flux | SF Bay Guardian

Heading East: Artists in flux

One art collective joins a wave of San Franciscans who are moving to the East Bay

04.11.12 – 5:30 pm | Steven T. Jones | (0)

Part of the Flux Foundation Crew

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Part of the Flux Foundation crew in its American Steel workspace.

PHOT BY CATIE MAGEE

San Francisco isn’t an easy place to live for artists and others who choose to fill their souls at the expense of their bank accounts, particularly with the comparatively cheap and sunny East Bay so close. And with more of these creative types being lured eastward, Oakland and its surroundings are getting ever more hip and attractive — just as San Francisco is being gentrified by dot-com workaholics.

It’s a trend I’ve been noticing in recent years, one that I saw embodied during regular trips to make Burning Man art with the Flux Foundation (see “Burners in Flux,” 8/31/10) and hundreds of others who work out of the massive American Steel warehouse.

At least once a week, I would take BART to the West Oakland station and cycle up Mandela Parkway, a beautiful and inviting boulevard, riding in the wide bike lane past evocative public art projects in weather that was always warmer than my neighborhood in San Francisco.

Since then, I’ve watched waves of my Flux friends moving from San Francisco to the East Bay, pushed by the high cost of living and pulled by the allure of a better and more sustainable lifestyle, a migration of some of the most interesting and creative people I know, some of the very people that have made San Francisco so cool.

“I love San Francisco, but it’s just not an affordable place anymore,” said Jessica Hobbs, one of the Flux founders who last year moved with two other women from the crew into what they call the Flux Meow House in a neighborhood near the intersection of Oakland, Berkeley, and Emeryville.

Hobbs has long worked in the East Bay and “I’ve never been one of those who has that bridge-phobia” — that resistance to cross over into other cities for social gatherings — “but the most interesting culture of San Francisco is starting to move to the East Bay.”

In the last 10 years, workspaces for burners and other creative types have proliferated in the East Bay — including the Shipyard, the Crucible, NIMBY Warehouse, Xian, Warehouse 416, and American Steel — while the number in San Francisco has stayed static or even shrunk. That’s partly a result of SF’s dwindling number of light industrial spaces, but Hobbs said the influx of artists in the East Bay supported and populated these new workspaces and fed the trend.

“They were making space for that to happen, so we came over here,” Hobbs said. “There’s more willingness to experiment over here.”

There have been code-compliance conflicts between these boundary-pushing art spaces and civic officials, including Berkeley’s threats to shut down the Shipyard and Oakland’s issues with NIMBY, but Hobbs said both were resolved in ways that legitimized the spaces. And then events such as Art Murmur, a monthly art walk in downtown Oakland, put these artists and their creations on proud display.

“Oakland and the East Bay have been very welcoming,” Hobbs said. “They want us.”

As we all talked on April 5, Karen Cusolito was throwing a party celebrating the third anniversary of American Steel, a massive workspace she formed for hundreds of artists and a gathering space for her extended community. Cusolito had working in the East Bay since 2005, commuting from Hunters Point before finally moving to Oakland in 2010.

“I moved here with such great trepidation because I thought I’d be bored,” she said. “But I’ve found a more vibrant community than I could have imagined, along with an unexpected sense of calm.”

Reflecting on the third anniversary of American Steel, Cusolito said, “On one hand, I’m astonished that it’s been three years. On the other hand, I’m surprised that this hasn’t always existed,” she said. “I have an amazing community here. I’m very blessed.”

 

Hobbs’ roommate, Rebecca Frisch, lost her apartment in Hayes Valley last year and decided to seek some specific things that she felt her soul seeking. “I wanted more light and space and a garden. I had a long wish list and nearly all of it came true,” she said. “I cast my net as far north as Petaluma and even Sebastapol. It’s really about a home and setting that felt good and suited my wish list.”

The space they found was spacious and airy, almost suburban but in a neighborhood that is lively and being steadily populated with other groups of their friends who have also been moving from San Francisco, gathered into three nearby homes.

“It was a great space with this huge yard. It’s got sun all day long, fruit trees everywhere, and we now have an art fireplace. You don’t find that in San Francisco,” Hobbs said.

As much as Hobbs and Frisch have been pleased with East Bay living, they each felt finally pressured to leave San Francisco, which makes them wonder what the future holds for the city.

“It’s made me sad because it’s apparent there’s no room for quirky, creative individuals. It’s only for the super rich,” Frisch said. “I feel horrible for families and people with fewer options that I have. I wondered if I would mourn the city I loved, and it’s been just the opposite. I really love it here.”

There have been a few challenges and tradeoffs to living in the East Bay, Hobbs said, including a lack of late-night food offerings and after hours clubs. “With anything, there will be a balance between positives and convenience,” she said.

Not everyone from Flux is flowing east — that balance tips in different ways for different people at different times. Monica Barney recently moved to San Francisco from Oakland and she’s enjoying the more dense urban living.

“I got sick of living in the East Bay,” she said. “I didn’t like that you have to drive everywhere. It changes the tone of the neighborhood when you can get around without a car.”

Yet for most of the couple hundred artsy people in the Flux Foundation’s orbit, the East Bay is drawing more and more people. Jonny Poynton moved to West Oakland three years ago after living in San Francisco for nine. He appreciates the sense of community he’s found in Oakland, and he doesn’t feel like he’s given up much to attain it.

“One of the things I like about West Oakland is how close it is to the city,” he said.

Flux’s latest transplant is Jason DeCook, who works in the building trades and moved from San Francisco to just down the street from Poynton on April 7.

“I moved because of the usual reasons that most have, larger space for the same rent, but also the sunshine and proximity. I’ve been hella reluctant to do this for the past few years but thought about it a couple of times. Now the issue has been forced with all the art this year,” DeCook said.

In addition to working on art at American Steel, DeCook says he’s excited to have a yard and storage areas to work on his own projects.

“I’m a blue collar, hands-on kind of guy and it’s easy for me to feel connected to a lot of the people that live around me or are beginning to visit the area. It’s exciting to be in a place that has been ignored for so long by money, because a group of us can come up with a project or I can on my own and get to doing it with little red tape and it will be appreciated by the neighbors for making the place a little bit better,” DeCook said.

In many ways, he thinks that West Oakland and other East Bay pockets are on a similar trajectory as many of San Francisco’s coolest neighborhoods decades ago, many of which are now getting too expensive for the artists to live.

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American Steel

Cover of American Steel

About Old S.F.

 

About Old S.F. (One our favorite sites here at ExploreSF)

Disclaimer: I am not affiliated with the San Francisco Public Library in any way.

This site provides an alternative way of browsing the SFPL‘s incredible San Francisco Historical
Photograph Collection
. Its goal is to help you discover the history
behind the places you see every day.

And, if you’re lucky, maybe you’ll even discover something about San Francisco’s rich past that you never knew before!

Where did these images come from?

The images all come from the San Francisco Public Library’s San Francisco Historical
Photograph Collection
. They were culled from many sources, including the
now-defunct San
Francisco News-Call Bulletin
.

The Library retains the copyright for many of these images. For details,
please read their Permissions page and FAQ.

The creators of this site did not collect or digitize any of these images
— credit for that massive undertaking belongs entirely to the
Library.

Who built this site?

The site was built by @danvdk and designed by @ravejk.Nob Hill 1896

What did this site do?

The creators of this site associated latitudes and longitudes to the images in
the San Francisco Historical Photograph Collection at the San Francisco Public Library, located in the Main Branch on the 6th floor. This process is known as geocoding. Doing this
allows the images to be placed at points on a map, which enables new ways of
exploring this collection.

 

How were they geocoded?

The geocodes are based on two sources:

  1. Photo Subjects. All photographs in the “City Hall (old)”
    series presumably belong in the same place. We manually geocoded several
    hundred subjects.
  2. Addresses and Cross-Streets. The photo descriptions often contain
    either an address, block number or set of cross-streets. These were
    converted to coordinates using the Google
    Geocoding API
    .

What’s the story of this project?

1945-1

Several years ago, I searched for my cross-streets
on the Library’s San Francisco Historical Photograph Collection and found the
photo on the right. The image was mislabeled — the intersection in the
foreground is actually Waller and Fillmore, not Waller and Webster. Which
meant that this photo from 1945 was taken from my roof!

I put together a now-and-then
shot, but it always bothered me that the mislabeling of the image was so
crucial to my finding it. This led to the idea of putting the images on a
map.

And now, years later, we have that map!

What fraction of the images have been geocoded?

The library’s collection contains about 40,000 images. Many of these
photographs have little geographic context (e.g. they’re portraits) and
cannot be located. In all, about 20,000 of the images could be placed on aHaight- Ashbury Hippies  during the 1967 Summer of Love San Francisco, Ca
map. We’ve geocoded about 65% of the possible images: 13,000.

How can you help?

If you’re technically minded, here’s a JSON file containing all the image
descriptions, as well as geocodes for the records on the map (including the
reason I thought they were at that location): records.js.zip (2MB download).
If you improve on my geocoding or do something else interesting with the data,
please share your results!

via About Old S.F..

 

 

 

 

To see this collection in person or to order reprints please come to The San Francisco Library, Main Branch, 100 Larkin Street, San Francisco, CA 94102 Telephone (415) 557-4567, email: info@sfpl.org
The San Francisco Historical Photograph Collection, located in the San Francisco History Center on the 6th floor, contains photographs and works on paper of San Francisco and California views from 1850 to the present. The Collection is open to the public on Tuesdays and Thursdays from 1-5 and Saturdays 10-12 & 1-5

More about the collection

Explore the Library’s Geocoded Images On Old S.F.!

Two Construction Workers on the Golden Gate Bridge

 

Two construction workers on the Golden Gate Bridge

Date
September 18, 1935
Photo ID#
AAD-0884



About the Photo Collection

Photo Collection

The San Francisco Historical Photograph Collection contains photographs and works on papers of San Francisco and California scenes ranging from 1850 to the present. This collection includes views of San Francisco street scenes, buildings, and neighborhoods, as well as photographs of famous San Francisco personalities. The collection consists mostly of the photo morgue of the San Francisco News-Call Bulletin, a daily newspaper, ranging from 1920s to 1965. The collection also contains albums, slides, postcards, cabinet cards, stereoviews, and lantern slides of San Francisco and California subjects.

Copies of images may be ordered with the Reproduction of Images Form (PDF 31K). Many of the photographs are available for commercial use when a Permission to Publish Form (PDF 40K) has been submitted.

The collection may be viewed in two ways: through the online database on the San Francisco Public Library website, which contains 40,000 digitized images from the San Francisco Historical Photograph Collection, or in person during photo desk open hours.

Looking up in the atrium of the main branch of...

Looking up in the atrium of the main branch of the San Francisco Public Library, San Francisco, California, USA. (Photo credit: Wikipedia)

When viewing the collection in person, only a limited number of photographs may be examined at one time. Library users will be provided with gloves to wear while examining the photographs. The photographs are to be handled by the edges only and held securely on two sides. The following items are not to be used in contact with the photographs: pressure sensitive tapes, all types of glues, paper clips, elastic bands, staples, pins, pens or pencils. Photocopying of photographs is harmful to the image and is not allowed. Photographs may be reproduced through a photo lab of the Library’s choice, through the Library scanning service or through a scheduled photo shoot. See Order Images for details.

For further information about the San Francisco Historical Photograph Collection please call 415-557-4567 during open hours.

via About the Photo Collection :: San Francisco Public Library.

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April 7 2012 is MAPP! Mission Arts & Performance Project! This is not an artwalk!

Event:

Mission Arts & Performance Project

Date:

April 7, 2012 6:00 pm

Cost:

FREE

Category:

All, April, Events, MAPP, Performing Arts

 

Venue:

Red Poppy Arthouse

Phone:

1.415.826.2402

Address:

Google Map

2698 Folsom St, San Francisco, 94110, United States

Mission Arts and Performance Project

 

 

The Misson Arts & Performance Project (MAPP) is a FREE bimonthly festival that happens the first Saturday of every other month. Join us for this Saturday, April 7th!

Performance Program:

6pm – “The ItCH” – Investing in the Creative Hunch (Social-Cultural networking)

7:15pm – Tom Sway (Writer of Remarkable Songs)

7:42pm – Adrian Arias presents “The Lost Literary” (short film)

8:00pm – Poet Michael Warr & the Armageddon of Funk (poetry w/ live music)

8:40pm – Amy Seiwert’s Imagery (solo contemporary ballet)

9:00pm – Embodiment Project (urban dance theater company)

9:45pm – Sriba Kwadjovie (solo modern/contemporary dance)

10:00pm – Teobi Dreams (work-in-progress experimental performance)

10:30pm – Fared Shafinury – Skyping from Texas (Indy-Persian music)

11:15am-12am – The Anti-Hype Lounge (youtube projection DJ)

 

Download MAPP Program PDF Here

 



What is the MAPP Project? 

Launched in 2003, the Mission Arts & Performance Project (MAPP) is a homegrown bi-monthly, multidisciplinary, unruly intercultural happening that takes place in the Mission District of San Francisco. Started by Founding Artist of the Red Poppy Art House, Todd Brown, MAPP has now produced over 48 neighborhood-level arts festivals.

MAPP is not an “art walk” (thank god). Instead, it’s a collage of 10-20 odd spaces transformed into micro art centers, focused on intimate artistic and cultural exchange among people. Placing art and performance on the street level, MAPP utilizes such alternative spaces as private garages, gardens, living rooms, studios, street corners, and small businesses. At its heart, the MAPP shows how ordinary spaces can be made extra-ordinary through creative techniques.

The MAPP also beautifully demonstrates how individuals in a community in partnership with one another can create an integrated arts festival that does not require an expansive budget, outside funding, or commercial marketing strategies, but can happen through the inspired efforts of artists and community members working together with a unified and inclusive vision.

Part of the charm of the MAPP is that you never know quite what’s going to happen until you get there! This innovative platform allows serendipitous connections to emerge organically across visual artists, musicians, poets, dancers, choreographers, filmmakers, playwrights, and other artists, community organizers and local residents. However, adopting this platform also means sometimes not all of the most up-to-date information is available ahead of time. The point is to arrive and embrace the adventure. Plus, you’ll get a program (with an actual map) to navigate the event.

Be sure to check out the other MAPP spaces as well. Download a PDF of the Program here.

ICAL IMPORT

via Mission Arts & Performance Project | Red Poppy Arthouse.

a street in the Mission District, for which th...

a street in the Mission District, for which the festival was named (Photo credit: Wikipedia)

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Spring fairs and festivals | SF Bay Guardian

Spring fairs and festivals

The Bay’s got it all, from garlic to tango fests — here’s your handy guide to spring happenings

03.20.12 – 5:39 pm | Ali Lane | (0)

 

Trash Mash-Up is just one of the colorful crewes to hold down SF‘s Carnaval (May 26-27)

PHOTO VIA TRASH MASH-UP

culture@sfbg.com

MARCH

SF Flower and Garden Show, San Mateo Event Center, 495 S. Delaware, San Mateo. (415) 684-7278, http://www.sfgardenshow.com. March 21-25, 10am-6pm, $15–$65, free for 16 and under. This year’s theme is “Gardens for a Green Earth,” and features a display garden demonstrating conservation practices and green design. Plant yourself here for thriving leafy greens, food, and fun in the sun.

 

The Art of Aging Gracefully Resource Fair, Jewish Community Center of San Francisco, 3200 California, SF. (415) 292-1200, http://www.jccsf.org. March 22, 9:30am-2:45pm, free. Treat yourself kindly with presentations by UCSF Medical Center professionals on healthy living, sample classes, health screenings, massages, giveaways and raffles.

 

California’s Artisan Cheese Festival, Sheraton Sonoma County, 745 Sherwood, Petaluma. (707) 283-2888, http://www.artisancheesefestival.com. March 23-25, $20–$135. Finally, a weekend given over to the celebration of cultures: semi-soft, blue, goat, and cave-aged. More than a dozen award-winning cheesemakers will provide hors d’oeuvres and educational seminars.

 

15th Annual Rhone Rangers Grand Tasting, Fort Mason Festival Pavilion, Buchanan and Marina, SF. (800) 467-0163, http://www.rhonerangers.org. March 24-25, $45–$185. The largest American Rhone wine event in the country, with over 2,000 attendees tasting 500 of the best Rhones from its 100 US member wineries.

 

Whiskies of the World Expo, Hornblower Yacht, Pier 3, SF. (408) 225-0446, http://www.whiskiesoftheworld.com. March 31, 6pm-9pm, $120–$150. The expo attracts over 1400 guests intent on sampling spirits on a yacht and meeting important personages from this fine whiskey world of ours.

 

Bay Area Anarchist Book Fair, SF County Fair Building’s Hall of Flowers, Golden Gate Park, SF. (415) 431-8355, bayareaanarchistbookfair.wordpress.com. March 31-April 1, free. This political book fair brings together radical booksellers, distributors, independent presses, and political groups from around the world.

 

Monterey Jazz Festival‘s Next Generation Festival Monterey Conference Center, One Portola Plaza, Monterey. (831) 373-3366, http://www.montereyjazzfestival.org. March 30-April 1, free. 1200 student-musicians from schools located everywhere from California to Japan compete for the chance to perform at the big-daddy Monterey Jazz Festival. Free to the public, come to cheer on the 47 California ensembles who will be playing, or pick an away team favorite.

 

APRIL

Argentine Tango Festival, San Francisco Airport Marriot Hotel, 1800 Old Bayshore Highway, Burlingame. http://www.argentinetangousa.com. April 5-8, $157–$357. Grip that rose tightly with your molars — it’s time to take the chance to dance in one of 28 workshops, with a live tango orchestra, and tango DJs. The USA Tango championship is also taking place here.

 

Salsa Festival, The Westin Market Street, 50 Third St., SF. (415) 974-6400. http://www.sfsalsafestival.com. April 5-7, $75–$125. Three nights of world-class performances, dancing, competition and workshops with top salsa instructors.

www.sresproductions.com/union_street_easter. April 8, 10am-5pm, parade at 2pm, free. A family festival with kids rides and games, a petting zoo, and music.

45th Annual Northern California Cherry Blossom Festival, Japan Center, Post and Buchanan, SF. (415) 567-4573, www.sfjapantown.org. April 14-15 and 21-22, parade April 22, free. Spotlighting the rich heritage and traditional customs of California’s Japanese-Americans. Costumed performers, taiko drums, martial arts, and koto music bring the East out West.

Bay One Acts Festival, Boxcar Theatre, 505 Natoma, SF. www.bayoneacts.org. April 22 — May 12, 2012, $25–$45 at the door or online. Showcasing the best of SF indie theater, with new works by Bay Area playwrights.

Earth Day, Civic Center Plaza, SF. (415) 571-9895, www.earthdaysf.org. April 22, free. A landmark day for the “Greenest City in North America,” featuring an eco-village, organic chef demos, a holistic health zone, and live music.

Wedding and Celebration Show, Parc 55 Wyndham, 55 Cyril Magnin, SF. (925) 594-2969,www.bayareaweddingfairs.com. April 28, 10:00am-5:00pm. Exhibitors in a “Boutique Mall” display every style of product and service a bride may need to help plan his or her wedding.

San Francisco International Beer Festival, Fort Mason Center, Festival Pavilion, SF.www.sfbeerfest.com. April 28, 7pm-10pm, $65. The price of admission gets you a bottomless taster mug for hundreds of craft beers, which you can pair with a side of food from local restaurants.

Pacific Coast Dream Machines Show, Half Moon Bay Airport, 9850 Cabrillo Highway North, Half Moon Bay. www.miramarevents.com/dreammachines. April 28-29, 9am-4pm, $20 for adults, kids under 10 free. The annual celebration of mechanical ingenuity, an outdoor museum featuring 2,000 driving, flying and working machines from the past 200 years.

May:

San Francisco International Arts Festival Various venues. (415) 399-9554, www.sfiaf.org. May 2-20, prices vary. Celebrate the arts, both local and international, at this multimedia extravaganza.

Cinco de Mayo Festival, Dolores Park, Dolores and 19th St, SF. www.sfcincodemayo.com. May 5, 10am-6pm, free. Enjoy live performances by San Francisco Bay Area artists, including mariachis, dancers, salsa ensembles, food and crafts booths. Big party.

A La Carte and Art, Castro St. between Church and Evelyn, Mountain View. May 5-6, 10am-6pm, free. With vendors selling handmade crafts, micro-brewed beers, fresh foods, a farmers market, and even a fun zone for kids, there’s little you won’t find at this all-in-one fun fair.

Young at Art Festival, De Young Museum, 50 Hagiwara Tea Garden Drive, SF. (415) 695-2441.www.youngatartsf.com. May 12-20, regular museum hours, $11. An eight-day celebration of student creativity in visual, literary, media, and performing arts.

 

This article is courtesy of and continues at Spring fairs and festivals | SF Bay Guardian.

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The great unknown | SF Bay Guardian

The great unknown

Together over 30 years, Eiko and Koma are still investigating the secrets of the universe

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We got us: Eiko and Koma strike a stark pose.

PHOTO BY PHILLIP TRAGER

arts@sfbg.com

DANCE The United States Bicentennial, 1976, was also the middle of what some have called the Golden Age of American dance. Balanchine premiered Union Jack; Twyla Tharp turned ballet inside out with Baryshnikov in Push Comes to Shove; the Philip Glass-Robert Wilson-Lucinda Childs team had a monster hit with Einstein at the Beach (side note: Berkeley’s Cal Performances presents it in October); and the Merce Cunningham Dance Company was invited to the prestigious Avignon Festival for the first time.

At the Performing Garage, Manhattan’s dumpiest theater in not-yet-chic SoHo, two small, skinny, New York-based Japanese dancers — just back from Europe where they had soaked up what had remained of German Expressionism — premiered White Dance. They were Eiko and Koma. An excerpt from that early work will close their two-week residency at Yerba Buena Center for the Arts.

Eiko and Koma have changed dance the way few others have. They have redefined theatrical time and space, the body as an instrument, and concepts surrounding expressivity. With but a few exceptions, they have always created on themselves. One man, one woman — and the universe. Most remarkably, to this day they have no imitators. They are truly unique.

While they sometimes paint their bodies white and have learned from Butoh’s glacial sense of time — they were early, though for a short time only, students of Butoh founder Tatsumi Hijikata — their works have none of that art’s existential emptiness; neither its twist of anarchy and despair, nor its dark sense of humor. Eiko and Koma see themselves connected to something larger than ourselves. They call their pieces Tree, Breath, River, Echo, Land, Wind. Their latest work is Naked.

David Harrington, founder and first violinist of the Kronos Quartet, has known the duo for close to 20 years. Speaking from Toronto, where the musicians are on tour, he describes what these dancers do as “traveling through time, memory, and experience to find something that, perhaps, we didn’t know existed.”

Watching Naked, he says, “I totally understood nakedness and the reason for it. There was something so honest and revealing and personal, and it was dangerous as well. They are about my age, and there they were offering themselves to the universe in such an incredible way. My feeling at the moment was that all of us, no matter how old we get, were very, very young. The flesh takes on different forms of age, but still we almost become like babies. Age no long had any meaning because I thought they were communicating with the universe in this incredible way.”

Drawing on this experience encouraged Harrington to commit to the four-hour Fragile, a collaborative installation between Kronos and Eiko and Koma this coming weekend. Harrington remembers that the duo had told him of three events that had formed their creativity and outlook: the dropping of the atomic bomb that happened before their birth; the 1967-68 student riots in Tokyo in which they participated, and the recent tsunami. So he composed Fragile‘s score from documentary material and music from Kronos’ repertoire plus — a first for Kronos — by Richard Wagner.

The following weekend’s Regeneration will offer Raven, Night Tide, and an excerpt from White Dance. At pre-performance event March 24, kindred spirit Shinichi Iova-Koga of inkBoat will interview the two artists about their working method and other topics.

The great unknown | SF Bay Guardian.

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