Category Archives: Dance

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This Sunday, come Explore San Francisco and create some wonderful Mother’s Day memories to last a long time.

Take Mom out for a food tour and a cruise on the Bay for only $64!
Choose any of these food tours:

  • North Beach at Night
  • Mission Vegetarian
  • Little Saigon
  • Mission District South (24th Street)
  • The Real Chinatown

Paired with a Bay Cruise on San Francisco Bay!


To make reservations or for more information, please call:415.504.3636 x 102 or email: reservations@exploresf.bizLimited number of spots available
Golden Gate Bay CruiseOperated by:

Red and White Fleet

Give her the fun day she deserves
While making memories to last a lifetime

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Prague flower shop

Prague flower shop (Photo credit: jafsegal)

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The Story of Oofty-Goofty

The Story of Oofty Goofty So far as journalistic or public knowledge went, Oofty Goofty had no other name than this singular appellation, which he acquired during his first appearance before his San Francisco public, as a wild man in a Market Street freakshow. From crown to heel he was covered with road tar, into which were stuck great quantities of horsehair, lending him a savage and ferocious appearance. He was then installed in a heavy cage, and when a sufficiently large number of people had paid their dimes to gaze upon the wild man recently captured in the jungles of Borneo and brought to San Francisco at enormous expense, large chunks of raw meat were poked between the bars by an attendant. This provender the wild man gobbled ravenously, occasionally growling, shaking the bars, and yelping these fearsome words: “Oofty goofty! Oofty goofty!” He was, naturally, immediately christened Oofty Goofty, and as such was identified to the day of his death.

For a week or so he was a veritable histrionic sensation, the wildest wild man ever exhibited on the Pacific Coast. Then, since he could not perspire through his thick covering of tar and hair, he became ill and was sent to the Receiving Hospital. There physicians vainly tried for several days to remove Oofty Gooftys costume without removing his natural epidermis as well. He was at length liberally doused with a tar solvent and laid out upon the roof of the hospital, where the sun finally did the work.

Thereafter Oofty Goofty eschewed character parts and decided to scale the heights of theatrical fame as a singer and dancer. He obtained a place on the bill at Bottle Koenigs, a Barbary Coast beer hall which also offered a low variety entertainment. There he danced once and sang one song. He was then, with great ceremony, thrown into the street. In reality this was a very fortunate experience, as it indicated his future career, or, as he termed it, his “work.” Oofty Goofty was kicked with considerable force, and landed heavily upon a stone sidewalk, but to his intense surprise he discovered that he was, apparently, insensible to pain.

Newspaper advertisement: Standard Dime Museum,...

Newspaper advertisement: Standard Dime Museum, San Francisco, announcing "The Hairy Wild Man" aka Oofty Goofty (Photo credit: Wikipedia)

This great gift he immediately proceeded to capitalize, and for some fifteen years, except for occasional appearances at the Bella Union as a super, and a short engagement as co-star with Big Bertha, he eked out a precarious existence simply by letting himself be kicked and pummeled for a price. Upon payment of ten cents a man might kick Oofty Goofty as hard as he pleased, and for a quarter he could hit the erstwhile wild man with a walking-stick. For fifty cents Oofty Goofty would become the willing, and even prideful, recipient of a blow with a baseball bat, which he always carried with him.

He became a familiar figure in San Francisco, not only on the Barbary Coast, but in other parts of the city as well. It was his custom to approach groups of men, in the streets and in bar-rooms, and diffidently inquire: “Hit me with a bat for four bits, gents? Only four bits to hit me with this bat, gents.” Oofty Goofty was knocked off his feet more times than he could remember, but he continued to follow his peculiar vocation until John L. Sullivan hit him with a billiard cue and injured his back.

Not long afterwards Sullivans pugilistic standing was impaired by James J. Corbett, the pride of San Francisco, and Oofty Goofty always felt that Corbett had acted as his agent in the matter. Oofty Goofty never entirely recovered from his encounter with Sullivan. He walked with a limp thereafter, and the slightest blow made him whimper with pain. With his one claim to distinction gone, he soon became a nonentity. He died within a few years, but medical authorities said that Sullivans blow had not been a contributing cause. –From Herbert Asburys The Barbary Coast. HOME

via the story of oofty goofty.

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What's happening today: Saturday, April 21, 2012 Sf Gate, Bay Guardian, Gay Cities Events

What’s happening today: Saturday, April 21, 2012

There is a lot happening today.

Deep Green Festival

A CELEBRATION OF CANNABIS, HEALTH & ECOLOGY

Not your average stoner gathering, the Deep Green Fest focuses on the utility of hemp as an economic andenvironmental resource. Political activists take note: a full day’s worth of lectures on cannabis policy is on tap, as well as 215 smoking areas and tons of smoke- friendly live jams on the numerous stages. noon-midnight, $12–$25 festival-only; $60–$75 conference admission.  Craneway Pavilion, 1414 Harbour, Richmond. (510) 735-1133, http://www.deepgreenfest.com

Cesar Chavez Festival– For too many of us, Cesar Chavez Day passes by in a blur of I’m-not-at-work (or dammit-I’m-at-work) chaos. We don’t really stop to celebrate the man, and that’s a shame because as you can tell from the way Rainbow Grocery shuts its door to celebrate him, he was a seminal figure in California history, Chicano history, and labor movement history. Luckily, we all get a hall pass this and every year if we didn’t observe the man on his state-sanctioned holiday. Today, the Mission will be marked by a parade in his honor, leading to a street fair on 24th Street with live music by Carlos Santana’s son Salvador, local hip-hop phenom Bang Data, and the Cuicacalli Youth Ballet Folklorico, among many other acts. 11am parade; noon-6pm fair, free Street fair: 24th St. between Bryant and Treat, SF (415) 621-2665, http://www.cesarchavezday.org

San Francisco Cherry Blossom Festival Today, 220,000 Attendees expected.

Today, Saturday, Apr 21 10:00a to 7:00p
at San Francisco Cherry Blossom FestivalSan FranciscoCA
Price: FREE to attend
Phone: (415) 563-2313
Age Suitability: All Ages

This year’s Northern California Cherry Blossom Festival will be held on Saturday and Sunday April 14-15 and April 21-22, 2012. All are welcome to join in the festivities as we celebrate Japanese and Japanese American culture in San Francisco’s Japantown! The festival will be held on Post Street between Laguna and Fillmore Streets. There will be food booths, cultural performances, martial arts, live bands, the annual Queen Program, and more. The Grand Parade will be held on April 22, beginning at City Hall and concluding in Japantown. The Northern California Cherry Blossom Festival is said to be the second largest festival outside of Washington, D.C. to celebrate the blooming of cherry blossoms; and held at one of three remaining Japantowns in the United States.

Steve Silver’s Beach Blanket Babylon

Today, Saturday, Apr 21 6:30p
at Club Fugazi, San Francisco, CA
The always-changing Steve Silver’s Beach Blanket Babylon is the world’s longest running musical revue. Packed with hilarious spoofs of pop culture & political characters, outrageously gigantic hats and one show-stopping number after another, the show continues to dazzle audiences at Club Fugazi in San Francisco’s North Beach district. read more
Categories: ComedyMusicals

Berkeley Dance Project 20122

Today, Saturday, Apr 21 8:00p
Three new choreographic works explore the theme of transformation. Amara Tabor-Smith will use the Sabar dance form as a metaphor for personal growth and cultural shifts; Stephanie Sherman will explore assimilation using costumes to challenge traditional ideas of identity; and Lisa Wymore will experiment with ritual and heightened physical states. read more
Categories: DancePerforming Arts

via San Francisco Bay Guardian | News, Politics, Music, Arts, Culture.

 

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The Naked and Famous

Today, Saturday, Apr 21 9:00p
at The Warfield, San Francisco, CA
The Naked and Famous New Zealand indie electronic ensemble the Naked and Famous make driving, melodic pop with an ’80s post-punk influence. Centered around the talents of vocalist Alisa Xayalith and instrumentalist/vocalist Thom Powers, the band formed in 2008 and released two EPs before adding members to play live….
Monty Pythons Spamalot Monty Pythons Spamalot 
The funniest show on earth is back to taunt San Francisco for a second time! Winner …
4/21/2012 Saturday 2:00p Orpheum Theatre, San Francisco CA
Featuring:  Monty Python’s Spamalot

Bill Bellamy  Bill Bellamy

4/21/2012 Saturday 9:30p Cobb’s Comedy Club, San Francisco CA
Featuring: Bill Bellamy

4th Annual Goat Festival  4th Annual Goat Festival

A Celebration of All Things Goat! – co-hosted by CUESA.org (the Center for Urban Education about Sustainable Agriculture) …

4/21/2012 Saturday 10:00a to 1:00p Ferry Plaza Farmer’s Market, San Francisco CA

Thats What She Said! That’s What She Said!

That’s What She Said is a variety show full of awesome women. This show features … 4/21/2012 Saturday 7:30p The Garage, San Francisco CA
Featuring: Caitlin Gill

The Fashion World of Jean Paul Gaultier: From the Sidewalk to the CatwalkThe Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk

Dubbed fashion’s enfant terrible, Jean Paul Gaultier launched his first prêt-à-porter …

4/21/2012 Saturday 9:30a to 5:15p
de Young Museum, San Francisco CA
  The Caretaker The Caretaker
The Caretaker – first performed in 1960 – was Harold Pinter’s first big hit. Fifty …

4/21/2012 Saturday 2:00p
Curran Theatre, San Francisco CA
Featuring: Jonathan Pryce
NPRs Says You! NPR’s Says You!
Host Richard Sher and hilarious panelists Barry Nolan, Francine Achbar, Tony Kahn …

4/21/2012 Saturday 2:00p
Jewish Community Center of San Francisco, San Francisco CA

Gay San Francisco Happenings Today Saturday 21, 2012

 

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The Mission District

THE MISSION DISTRICT

Neighborhood Profile

Liberty HIll

 

Location: The principal thoroughfare of the Mission District of San Francisco is Mission Street. Its borders are U.S. Route 101 to the east which forms the boundary between the eastern portion of the district, known as “Inner Mission” and its eastern neighbor, Potrero Hill, while Sanchez Street separates the neighborhoods from Eureka Valley (also known as “The Castro”) and Noe Valley to the west. The part of the neighborhood from Valencia Street to Sanchez Street, north of 20th, is known as Mission Dolores. South of 20th towards 22nd, and between Valencia and Dolores Streets is a distinct sub-neighborhood known as Liberty Hill.[3] Cesar Chavez Street (formerly Army Street) is the southern border which lies next to Bernal Heights, while to the north the neighborhood is separated fromSouth of Market roughly by Duboce Avenue and the elevated highway of the Central Freeway which runs above 13th Street. Also along Mission Street, further south-central are the Excelsior and Crocker-Amazon neighborhoods, sometimes referred to as the “Outer Mission” (not to be confused with the actual Outer Mission neighborhood). The Mission District is part of San Francisco’s supervisorial districts 6, 9 and 10.

 

Climate

The microclimates of San Francisco create a system by which each neighborhood can have radically different weather at any given time. The Mission’s geographical location insulates it from the fog and wind from the west. As a result, the Mission has a tendency to be warmer and sunnier than the rest of the city. This climatic phenomenon becomes apparent to visitors who walk downhill from 24th Street in the west from Noe Valley (where clouds from Twin Peaks in the west tend to accumulate on foggy days) towards Mission Street in the east, partly because Noe Valley is on higher ground whereas the Inner Mission is at a lower elevation.[4]

 

History Prior to 1900

Pioneer Race Course 1853, the grandstands shown were located just south of 24th and Shotwell St.

 

 

 

 

The Yelamu Indians inhabited the region that is now known as the Mission District for over 2,000 years. Spanish missionaries arrived in the area during the late 18th century. They found these people living in two villages on Mission Creek. It was here that a Spanish priest named Father Francisco Palóu founded Mission San Francisco de Asis on June 29, 1776. The Mission was moved from the shore of Laguna Dolores to its current location in 1783.[5] Franciscan friars are reported to have used Ohlone slave labor to complete the Mission in 1791.[6] This period marked the beginning of the end of the Yelamu culture. The Indian population

Deanza

De Anza at Lake Dolores?

at Mission Dolores dropped from 400 to 50 between 1833 and 1841. Ranchos owned by Spanish-Mexican families such as the Valenciano, Guerrero, Dolores, Bernal, Noé and De Harocontinued in the area, separated from the town of Yerba Buena, later renamed San Francisco (centered around Portsmouth Square) by a two mile wooden plank road (later paved and renamed Mission Street).

 

 

 

Lake Dolores

Lake Dolores Marker, Albion Street

The lands around the nearly abandoned mission church became a focal point of raffish attractions[7] including bull and bear fighting, horse racing, baseball and dueling. A famous beer parlor resort known as The Willows was located along Mission Creek just south of 18th Street between Mission Street and San Carlos Street.[8] From 1865 to 1891 a large conservatory and zoo known as Woodward’s Gardens was located along the west side of Mission Street between 13th and 15th Streets.[9] In the decades after the Gold Rush, the town of San Francisco quickly expanded, and the Mission lands were developed and subdivided into housing plots for working class immigrants, largely German, Irish and Italian,[7] and also for industrial uses.

 

Professional Baseball

As the city grew in the decades following the Gold Rush, the Mission District became home to the first professional baseball stadium in California, opened in 1868 and known asRecreation Grounds seating 17,000 people which was located at Folsom and 25th Streets, a portion of the grounds remain as present day Garfield Square.[10] Also, in the 20th century, the Mission District was home to two other baseball stadiums, Recreation Park located at 14th and Valencia and Seals Stadium located at 16th and Bryant with both these stadiums being used by the baseball team named after the Mission District known as the Mission Reds and the San Francisco Seals.

 

Ethnicity trends

During European settlement of the City in the 19th and 20th century, large numbers of Irish and German immigrant workers moved into the area. Development and settlement intensified after the 1906 earthquake, as many displaced businesses and residents moved into the area, making Mission Street a major commercial thoroughfare. In 1926, the Polish Community of San Francisco converted a church on 22nd Street and Shotwell Street and opened its doors as the Polish Club of San Francisco, referred to today as the “Dom Polski”, or Polish Home. The Irish American community made their mark during this time, with notable people like etymologist Peter Tamony calling the Mission home. During the 1940-1960s, large numbers ofMexican immigrants moved into the area, initiating white flight, giving the Mission the Latin character it is known for today. During the 1980s and into the 1990s, the neighborhood received a higher influx of immigrants and refugees from Central and South America fleeing civil wars and political instability at the time. These immigrants brought in many Central American banks and companies which would set up branches, offices, and regional headquarters on Mission Street.

 

Recent historyWomen's Building

In the late 1970s and early 1980s the Valencia Street corridor had a lively punk night life with several clubs including The Offensive, The Deaf Club and Valencia Tool & Die and the former fire station on 16th Street, called the Compound, sported what was commonly referred to as “the punk mall”, an establishment that catered to punk style and culture. On South Van Ness, Target Video and Damage Magazine were located in a three-story warehouse. The neighborhood was dubbed “the New Bohemia” by the San Francisco Chronicle in 1995.

Since at least the 1980s, a wave of gang affiliation appeared in the Mission. Branches of the Sureño and Norteño gangs settled in and engaged in criminal activities and open violence over territorial boundaries in the neighborhood, northwest and southeast respectively.[11] Also, the notorious international gang MS-13 who was originated in LA,become active at the time. Although during the late 1990s and into the 2000s gang prevention programs, including a 2007 injunction,  have attempted to reduce the associated violence from these gangs, these kind of activities still continue to be a persistent problem for the neighborhood, resulting in uncomfortable socio-economic overlaps of a neighborhood in transition.

 

Hipster Central

Mission HipsterFollowing that decade in the late 1990s and into the 2010s, and especially during the dot-com boomyoung urban professionals, to twentysomethings and thirtysomethings living thehipster lifestyle moved into the area, initiating gentrification, and raising rent and housing prices, with a number of Latino middle-class families as well as artists moving to the Outer Mission area, or out of the city entirely to the suburbs of East Bay and South Bay area. Despite rising rent and housing prices, many Mexican and Central American immigrants continue to reside in the Mission, although the neighborhood’s high rents and home prices have led to the Latino population dropping by 20% over the last decade. Most recently, the Mission has a reputation of being edgy and artsy.

 

 

Landmarks and Features

Alta California missionMission San Francisco de Asis, the namesake of the neighborhood, and the oldest building in the city located in the far western end of the neighborhood on Dolores Street.

 

 

 

 

 

Roxie Theater, 16th Street and Valencia Street

The Armory

The Armory
The Armory and kink.com

 

 

 

 

Mission Mural

Mission Mural

 

 

 Murals

 

Throughout the Mission walls and fences are decorated with murals initiated by the Chicano Art Mural Movement of the 197 and inspired by the traditional Mexican paintings made famous by Diego Rivera.

Banksy

Banksy

Street Murals and paintings of Latin American culture by local artists are a common feature and attraction.

 

There are even a couple very coveted works by Banksy in the Mission valued in the tens of thousands.

 

 

 

 

 

 

 

Mission Mural

Mission Mural

 

Murals of some size adorn almost every block in The Mission. Usually the murals are not tagged by local graffiti artists.

 

 

 

 

 

Some of the more significant mural installations are located on Balmy Alley, and Clarion Alley.

floral house

floral house

 

Dead

Day of the Dead


 

 

 

 

 

 

 

 

The Mission District’s annual Day of the Dead celebration is not to be missed, Garfield Square. This nighttime parade and celebration now attracts thousands, if not tens of thousands of participants.

 

"Gay Beach", Dolores Park

"Gay Beach", Dolores Park

 

Hipsters in Dolores Park

Hipsters in Dolores Park

 

Dolores Park– A thriving social location where people congregate to explore and create expressions of art, dance, music, and fashion. The Mission provides the city of San Francisco with some of it’s sunniest weather and also a wide array of fantastic restaurants and chic clothing boutiques. It offers a beautiful view of the city and brings a friendly and diverse people together.

Dolores Park is the perfect park in the city to spend a sunny Saturday afternoon with friends-just ride your fixed gear bike on over and set up a picnic blanket, pack a couple of cold brews and your Bi-Rite sandwich or a Blue Bottle Coffee and you’re all set to enjoy a great time. Oh yeah, and don’t forget to bring your doggie!
Mission Hipster Influence

The ‘Mish’  The neighborhoods old nickname makes a comeback

The “hot-spot” to be right now in the ‘Mish’ is Dolores Park where mostly young hipsters and members of the gay community congregate to enjoy this beautiful Park. People here are socially and culturally expressing themselves creatively in different ways through clothing, sexuality, politics, music, art, bikes, hair, even shoes. Some of the “hot” things in right now in Dolores are…..

 

Bikes
To call yourself a true hipster you must have a fixed-gear bicycle also known as a ‘Fixie’ or an old vintage bike to mash around the City in. The grass at Dolores Park is packed with finely painted Fixies with neon colored bike wheels and an attitude that shows off, “I’m cool, I ride a Fixie.” To get your bike fixed up, head on over to Valencia Cyclery and then hit the City!

 

Mission Hipster Music

On a beautiful day in Dolores, musicians come together to jam on the bongos and guitar. Local bands sometimes set up their sets and rock out for people to enjoy. Up on “Gay Beach” where most of the gay community likes to congregate, DJ’s set up tables where they spin house and electronic music, getting everyone in the party groove. Down on “Hipster Hill” the Capoeiera Brazilian Martial Arts crew is usually playing their instruments while players kick, jump, and pull out cool break-dancing moves.

Most hipsters in Dolores are avid listeners and blog followers of Indie-Rock bands and the latest hype around Electronic music. Here is some of the music that people here enjoy-
-Phoenix
-The xx
-Ratatat
-Gorillaz
-Neon Indian
-Fever Ray
-The Morning Benders
-Kings of Leon
-Bob Dylan

The Mission’s nightlife is alive and full of an eclectic mix of music and local IPA brews. Some of the most popular bars to hit up while visiting are the Elbo Room, Beauty Bar, Thieves Tavern, Delerium, El Rio, The Knockout-real hipsters out here…Some other classic Mission bars-
-Zeitgeist
-Make-out Room
-Dalva
-Amnesia

Mission Hipster Fashion

Here are some of the most popular fashions that are alive in The Mission-

-American Apparel
-Skinny and tight jean
-Ray Ban
-Scruffy hairdues and long mustaches on guys
-Girls with edgy bangs, hair usually long and dark or bleach blonde, very ‘Mod’
-Leather jackets
-Toms shoes
-Frye Boot
-Chrome messenger bag
-Timbuk2 bags

Be sure to hit up the vintage clothing store Schauplatz Clothing where you will find a mix of everything we call ‘Hipster.’

Although gentrification during the 1990s and 2000s shifted the demographics and culture of the neighborhood, to account for a large younger, more White American, the Mission remains the cultural nexus and epicenter of San Francisco’s, and to a lesser extent, the Bay Area’s Latino, ChicanoNicaraguan Salvadorian and Guatemalan community. While Mexican, Salvadorian, and other Latin American businesses are pervasive throughout the neighborhood, residences are not evenly distributed. Most of the neighborhood’s Hispanic residents live on the eastern and southern sides. The western and northern sides of the neighborhood are more affluent and less diverse.


 

Food

The Mission district is also famous and influential for its restaurants. Dozens of Taquerías are located throughout the neighborhood, showcasing a localized styling of Mexican food and is the original home of the San Francisco burrito.[21]There are also a high concentration of Salvadorean, Guatemalan, Nicaraguan, restaurants there as well as a large number of street food vendors.[22] In the last couple decades a number of high caliber of multi-ethnic specialty restaurants have gained national attention, most notably the Michelin two-star rated French restaurant Sai’son on Folsom Street. A large number of other restaurants are also popular, including: Mission Chinese Food and Foreign Cinema on Mission Street, Delfina on 18th and Almathe Slated Door and Luna Park on Valencia.[23][24]

Art scene

Due to the existing cultural attractions, less expensive housing and commercial space, and the high density of restaurants and drinking establishments, the Mission is a magnet for young people. An independent arts community also arose and, since the 1990s, the area has been home to the Mission School art movement. Many studios, galleries, performance spaces, and public art projects are located in the Mission, including the Project ArtaudFirst ExposuresSouthern ExposureArt Explosion StudiosArtist XchangeArtists’ Television Access, and the oldest, alternative, not-for profit art space in the city of San Francisco, Intersection for the ArtsThe Roxie Theater, the oldest continuously-operating movie theater in San Francisco, is host to repertory and independent films as well as local film festivals. Poets, musicians, emcees, and other artists sometimes gather on the southwest corner of the 16th & Mission intersection to perform.[25]

Numerous Latino artistic and cultural institutions are based in the Mission. The Mission Cultural Center for the Latino Arts, established by Latino artists and activists, is an art space. The local bilingual newspaper, El Tecolote, was founded in 1970. The Mission’s Galería de la Raza, founded by local artists active in el Movimiento (the Chicano civil rights moment), is a nationally recognized arts organization. Late May, the city’s annual Carnaval festival and parade marches down Mission Street. Meant to mimic the festival in Rio de Janeiro, it is held in late May instead of the traditional late February to take advantage of better weather.

Artists

Some well-known artists associated with the Mission District include:

Music Scene

The Mission is rich in musical groups and performances. Roving Mariachi bands play in restaurants throughout the district, especially in the restaurants congregated around Valencia and Mission in the northeast portion of the district. Carlos Santanaspent his teenage years in the Mission, graduating from Mission High School in 1965. He has often returned to the neighborhood, including for a live concert with his band Santana that was recorded in 1969,[44] and for the KQEDdocumentary “The Mission” filmed in 1994.[45]

The locally-inspired song “Mission in the Rain” by Robert Hunter and Jerry Garcia appeared on Garcia’s solo album“Reflections”, and was played by the Grateful Dead five times in concert in 1976.[46]

Classical music is heard in the concert hall of the Community Music Center on Capp Street.[47]

Elbo Room, a bar/live music venue on Valencia Street, is home to Dub Mission, a weekly reggae/dub party started in 1996 byDJ Sep and over the years has brought many luminaries of reggae and dub music to perform there.

The Mission District is also very popular for its influencing Hip-Hop/Rap music scene. Record labels like Black N Brown/ Thizz Latin and Hometeam Ent. help put Mission District rappers, like Goldtoes, mousie, Gangsta Flea, Mr. Kee, Friscasso, 10sion, The Goodfelonz, and Don Louis & Colicious, get exposure through various compilations such as 17 Reasons, 18 Wit A Bullet, Organized Crime, Filthy Livin’ In The Mission, The Daily Grind ‘Fillmoe 2 Da Mission,’ and many others. There is a new generation of young and upcoming rappers who are emerging from this neighborhood such as G-One (R.I.P.), Los Da Rockstar, DJ Blaze, Rob Baysicc, Loco C, Young Mix and Yung Dunn to name a few.

Some other prominent musicians and musical personalities include:

Carnaval San Francisco Parade 2010 133

Carnaval San Francisco Parade 2010 133 (Photo credit: Wikipedia)

Festivals, Parades and Street Fairs

  • Carnival The major event of the year occurring each Memorial Day weekend is the Mission’s Carnaval celebration.[27]
  • 24th Street Fair In March of each year a street fair is held along the 24th Street corridor.
  • San Francisco Food Fair Annually, for several years recently, food trucks and vendor booths have sold food to tens of thousands of people along Folsom Street adjacent to La Cochina on the third weekend in September.[28]
  • Cesar Chavez Holiday Parade The second weekend of April is marked by a parade and celebration along 24th Street in honor of Cesar Chavez.[29]
  • Transgender and Dyke Marches. On the Fridays and Saturdays of the fourth weekend of June there are major celebrations of the Transgender and Dyke communities located at Dolores Park, followed by a march in the evenings along 18th Streets and Valencia Streets.[30][31]
  • Sunday Streets Twice each year, typically in May and October, Valencia, Harrision and 24th Streets are closed to automobile traffic and opened to pedestrians and bicyclists on Sunday as part of the Sunday Streets program.[32]
  • Day of the Dead Each year on November 2, a memorial procession and celebration of the dead occurs on Harrison and 24th Street with a gathering of memorials in Garfield Square.[33]
  • First Friday Monthly on the evening of the first Friday, a food and art crawl including a procession of low rider car clubs and samba dancers occurs along 24th Street from Potrero to Mission Streets.[34]
  • Open Studios On the first weekend of October, the ArtSpan organization arranges a district wide exhibit of Mission District artists studios.[35]
  • Hunky Jesus Contest Annually for 32 years on Easter Sunday the Sister’s of Perpetual Indulgence hold an Easter Sunday celebration including a Hunky Jesus Contest in Dolores Park.[36]
  • Rock Make Street Festival Annually for four years the Rock Make organization sponsors a music and arts festival in September on Treat and 18th Streets in the Mission.[37]
  • LitCrawl Annually on the third Saturday of October as part of the LitQuake, a literature festival, hundreds of book and poetry readings are held at bars and bookstores throughout the Mission.[38]
  • Party on Block 18 The Woman’s Building organization annually, typically in August, has held a street party on 18th Street between Valencia and Guerrero streets.[39][40]
  • Clarion Alley Block Party Eleven years annually, a block party on the Clarion mural alley, fourth weekend in October.[41][42]
  • Remembering 1906 Annually for 105 years there has been a gathering and ceremonial gold repainting ceremony of the fire hydrant located at Church and 20th streets in honor of the only working fire hydrant that allowed the cessation of the fire following the 1906 earth quake.[43]

Mission Bowling
Mission Bowling Club just opened in 2012

Transit

The neighborhood is served by the BART rail system with stations on Mission Street at 16th Street and 24th Street, by Munibus numbers 9, 12, 14, 14L, 22, 27, 33, 48, 49, 67, and along the western edge by the J Church Muni Metro line, which runs down Church Street and San Jose Avenue.

 

See also

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Heading East: Artists in flux | SF Bay Guardian

Heading East: Artists in flux

One art collective joins a wave of San Franciscans who are moving to the East Bay

04.11.12 – 5:30 pm | Steven T. Jones | (0)

Part of the Flux Foundation Crew

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Part of the Flux Foundation crew in its American Steel workspace.

PHOT BY CATIE MAGEE

San Francisco isn’t an easy place to live for artists and others who choose to fill their souls at the expense of their bank accounts, particularly with the comparatively cheap and sunny East Bay so close. And with more of these creative types being lured eastward, Oakland and its surroundings are getting ever more hip and attractive — just as San Francisco is being gentrified by dot-com workaholics.

It’s a trend I’ve been noticing in recent years, one that I saw embodied during regular trips to make Burning Man art with the Flux Foundation (see “Burners in Flux,” 8/31/10) and hundreds of others who work out of the massive American Steel warehouse.

At least once a week, I would take BART to the West Oakland station and cycle up Mandela Parkway, a beautiful and inviting boulevard, riding in the wide bike lane past evocative public art projects in weather that was always warmer than my neighborhood in San Francisco.

Since then, I’ve watched waves of my Flux friends moving from San Francisco to the East Bay, pushed by the high cost of living and pulled by the allure of a better and more sustainable lifestyle, a migration of some of the most interesting and creative people I know, some of the very people that have made San Francisco so cool.

“I love San Francisco, but it’s just not an affordable place anymore,” said Jessica Hobbs, one of the Flux founders who last year moved with two other women from the crew into what they call the Flux Meow House in a neighborhood near the intersection of Oakland, Berkeley, and Emeryville.

Hobbs has long worked in the East Bay and “I’ve never been one of those who has that bridge-phobia” — that resistance to cross over into other cities for social gatherings — “but the most interesting culture of San Francisco is starting to move to the East Bay.”

In the last 10 years, workspaces for burners and other creative types have proliferated in the East Bay — including the Shipyard, the Crucible, NIMBY Warehouse, Xian, Warehouse 416, and American Steel — while the number in San Francisco has stayed static or even shrunk. That’s partly a result of SF’s dwindling number of light industrial spaces, but Hobbs said the influx of artists in the East Bay supported and populated these new workspaces and fed the trend.

“They were making space for that to happen, so we came over here,” Hobbs said. “There’s more willingness to experiment over here.”

There have been code-compliance conflicts between these boundary-pushing art spaces and civic officials, including Berkeley’s threats to shut down the Shipyard and Oakland’s issues with NIMBY, but Hobbs said both were resolved in ways that legitimized the spaces. And then events such as Art Murmur, a monthly art walk in downtown Oakland, put these artists and their creations on proud display.

“Oakland and the East Bay have been very welcoming,” Hobbs said. “They want us.”

As we all talked on April 5, Karen Cusolito was throwing a party celebrating the third anniversary of American Steel, a massive workspace she formed for hundreds of artists and a gathering space for her extended community. Cusolito had working in the East Bay since 2005, commuting from Hunters Point before finally moving to Oakland in 2010.

“I moved here with such great trepidation because I thought I’d be bored,” she said. “But I’ve found a more vibrant community than I could have imagined, along with an unexpected sense of calm.”

Reflecting on the third anniversary of American Steel, Cusolito said, “On one hand, I’m astonished that it’s been three years. On the other hand, I’m surprised that this hasn’t always existed,” she said. “I have an amazing community here. I’m very blessed.”

 

Hobbs’ roommate, Rebecca Frisch, lost her apartment in Hayes Valley last year and decided to seek some specific things that she felt her soul seeking. “I wanted more light and space and a garden. I had a long wish list and nearly all of it came true,” she said. “I cast my net as far north as Petaluma and even Sebastapol. It’s really about a home and setting that felt good and suited my wish list.”

The space they found was spacious and airy, almost suburban but in a neighborhood that is lively and being steadily populated with other groups of their friends who have also been moving from San Francisco, gathered into three nearby homes.

“It was a great space with this huge yard. It’s got sun all day long, fruit trees everywhere, and we now have an art fireplace. You don’t find that in San Francisco,” Hobbs said.

As much as Hobbs and Frisch have been pleased with East Bay living, they each felt finally pressured to leave San Francisco, which makes them wonder what the future holds for the city.

“It’s made me sad because it’s apparent there’s no room for quirky, creative individuals. It’s only for the super rich,” Frisch said. “I feel horrible for families and people with fewer options that I have. I wondered if I would mourn the city I loved, and it’s been just the opposite. I really love it here.”

There have been a few challenges and tradeoffs to living in the East Bay, Hobbs said, including a lack of late-night food offerings and after hours clubs. “With anything, there will be a balance between positives and convenience,” she said.

Not everyone from Flux is flowing east — that balance tips in different ways for different people at different times. Monica Barney recently moved to San Francisco from Oakland and she’s enjoying the more dense urban living.

“I got sick of living in the East Bay,” she said. “I didn’t like that you have to drive everywhere. It changes the tone of the neighborhood when you can get around without a car.”

Yet for most of the couple hundred artsy people in the Flux Foundation’s orbit, the East Bay is drawing more and more people. Jonny Poynton moved to West Oakland three years ago after living in San Francisco for nine. He appreciates the sense of community he’s found in Oakland, and he doesn’t feel like he’s given up much to attain it.

“One of the things I like about West Oakland is how close it is to the city,” he said.

Flux’s latest transplant is Jason DeCook, who works in the building trades and moved from San Francisco to just down the street from Poynton on April 7.

“I moved because of the usual reasons that most have, larger space for the same rent, but also the sunshine and proximity. I’ve been hella reluctant to do this for the past few years but thought about it a couple of times. Now the issue has been forced with all the art this year,” DeCook said.

In addition to working on art at American Steel, DeCook says he’s excited to have a yard and storage areas to work on his own projects.

“I’m a blue collar, hands-on kind of guy and it’s easy for me to feel connected to a lot of the people that live around me or are beginning to visit the area. It’s exciting to be in a place that has been ignored for so long by money, because a group of us can come up with a project or I can on my own and get to doing it with little red tape and it will be appreciated by the neighbors for making the place a little bit better,” DeCook said.

In many ways, he thinks that West Oakland and other East Bay pockets are on a similar trajectory as many of San Francisco’s coolest neighborhoods decades ago, many of which are now getting too expensive for the artists to live.

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American Steel

Cover of American Steel

April 7 2012 is MAPP! Mission Arts & Performance Project! This is not an artwalk!

Event:

Mission Arts & Performance Project

Date:

April 7, 2012 6:00 pm

Cost:

FREE

Category:

All, April, Events, MAPP, Performing Arts

 

Venue:

Red Poppy Arthouse

Phone:

1.415.826.2402

Address:

Google Map

2698 Folsom St, San Francisco, 94110, United States

Mission Arts and Performance Project

 

 

The Misson Arts & Performance Project (MAPP) is a FREE bimonthly festival that happens the first Saturday of every other month. Join us for this Saturday, April 7th!

Performance Program:

6pm – “The ItCH” – Investing in the Creative Hunch (Social-Cultural networking)

7:15pm – Tom Sway (Writer of Remarkable Songs)

7:42pm – Adrian Arias presents “The Lost Literary” (short film)

8:00pm – Poet Michael Warr & the Armageddon of Funk (poetry w/ live music)

8:40pm – Amy Seiwert’s Imagery (solo contemporary ballet)

9:00pm – Embodiment Project (urban dance theater company)

9:45pm – Sriba Kwadjovie (solo modern/contemporary dance)

10:00pm – Teobi Dreams (work-in-progress experimental performance)

10:30pm – Fared Shafinury – Skyping from Texas (Indy-Persian music)

11:15am-12am – The Anti-Hype Lounge (youtube projection DJ)

 

Download MAPP Program PDF Here

 



What is the MAPP Project? 

Launched in 2003, the Mission Arts & Performance Project (MAPP) is a homegrown bi-monthly, multidisciplinary, unruly intercultural happening that takes place in the Mission District of San Francisco. Started by Founding Artist of the Red Poppy Art House, Todd Brown, MAPP has now produced over 48 neighborhood-level arts festivals.

MAPP is not an “art walk” (thank god). Instead, it’s a collage of 10-20 odd spaces transformed into micro art centers, focused on intimate artistic and cultural exchange among people. Placing art and performance on the street level, MAPP utilizes such alternative spaces as private garages, gardens, living rooms, studios, street corners, and small businesses. At its heart, the MAPP shows how ordinary spaces can be made extra-ordinary through creative techniques.

The MAPP also beautifully demonstrates how individuals in a community in partnership with one another can create an integrated arts festival that does not require an expansive budget, outside funding, or commercial marketing strategies, but can happen through the inspired efforts of artists and community members working together with a unified and inclusive vision.

Part of the charm of the MAPP is that you never know quite what’s going to happen until you get there! This innovative platform allows serendipitous connections to emerge organically across visual artists, musicians, poets, dancers, choreographers, filmmakers, playwrights, and other artists, community organizers and local residents. However, adopting this platform also means sometimes not all of the most up-to-date information is available ahead of time. The point is to arrive and embrace the adventure. Plus, you’ll get a program (with an actual map) to navigate the event.

Be sure to check out the other MAPP spaces as well. Download a PDF of the Program here.

ICAL IMPORT

via Mission Arts & Performance Project | Red Poppy Arthouse.

a street in the Mission District, for which th...

a street in the Mission District, for which the festival was named (Photo credit: Wikipedia)

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Spring fairs and festivals | SF Bay Guardian

Spring fairs and festivals

The Bay’s got it all, from garlic to tango fests — here’s your handy guide to spring happenings

03.20.12 – 5:39 pm | Ali Lane | (0)

 

Trash Mash-Up is just one of the colorful crewes to hold down SF‘s Carnaval (May 26-27)

PHOTO VIA TRASH MASH-UP

culture@sfbg.com

MARCH

SF Flower and Garden Show, San Mateo Event Center, 495 S. Delaware, San Mateo. (415) 684-7278, http://www.sfgardenshow.com. March 21-25, 10am-6pm, $15–$65, free for 16 and under. This year’s theme is “Gardens for a Green Earth,” and features a display garden demonstrating conservation practices and green design. Plant yourself here for thriving leafy greens, food, and fun in the sun.

 

The Art of Aging Gracefully Resource Fair, Jewish Community Center of San Francisco, 3200 California, SF. (415) 292-1200, http://www.jccsf.org. March 22, 9:30am-2:45pm, free. Treat yourself kindly with presentations by UCSF Medical Center professionals on healthy living, sample classes, health screenings, massages, giveaways and raffles.

 

California’s Artisan Cheese Festival, Sheraton Sonoma County, 745 Sherwood, Petaluma. (707) 283-2888, http://www.artisancheesefestival.com. March 23-25, $20–$135. Finally, a weekend given over to the celebration of cultures: semi-soft, blue, goat, and cave-aged. More than a dozen award-winning cheesemakers will provide hors d’oeuvres and educational seminars.

 

15th Annual Rhone Rangers Grand Tasting, Fort Mason Festival Pavilion, Buchanan and Marina, SF. (800) 467-0163, http://www.rhonerangers.org. March 24-25, $45–$185. The largest American Rhone wine event in the country, with over 2,000 attendees tasting 500 of the best Rhones from its 100 US member wineries.

 

Whiskies of the World Expo, Hornblower Yacht, Pier 3, SF. (408) 225-0446, http://www.whiskiesoftheworld.com. March 31, 6pm-9pm, $120–$150. The expo attracts over 1400 guests intent on sampling spirits on a yacht and meeting important personages from this fine whiskey world of ours.

 

Bay Area Anarchist Book Fair, SF County Fair Building’s Hall of Flowers, Golden Gate Park, SF. (415) 431-8355, bayareaanarchistbookfair.wordpress.com. March 31-April 1, free. This political book fair brings together radical booksellers, distributors, independent presses, and political groups from around the world.

 

Monterey Jazz Festival‘s Next Generation Festival Monterey Conference Center, One Portola Plaza, Monterey. (831) 373-3366, http://www.montereyjazzfestival.org. March 30-April 1, free. 1200 student-musicians from schools located everywhere from California to Japan compete for the chance to perform at the big-daddy Monterey Jazz Festival. Free to the public, come to cheer on the 47 California ensembles who will be playing, or pick an away team favorite.

 

APRIL

Argentine Tango Festival, San Francisco Airport Marriot Hotel, 1800 Old Bayshore Highway, Burlingame. http://www.argentinetangousa.com. April 5-8, $157–$357. Grip that rose tightly with your molars — it’s time to take the chance to dance in one of 28 workshops, with a live tango orchestra, and tango DJs. The USA Tango championship is also taking place here.

 

Salsa Festival, The Westin Market Street, 50 Third St., SF. (415) 974-6400. http://www.sfsalsafestival.com. April 5-7, $75–$125. Three nights of world-class performances, dancing, competition and workshops with top salsa instructors.

www.sresproductions.com/union_street_easter. April 8, 10am-5pm, parade at 2pm, free. A family festival with kids rides and games, a petting zoo, and music.

45th Annual Northern California Cherry Blossom Festival, Japan Center, Post and Buchanan, SF. (415) 567-4573, www.sfjapantown.org. April 14-15 and 21-22, parade April 22, free. Spotlighting the rich heritage and traditional customs of California’s Japanese-Americans. Costumed performers, taiko drums, martial arts, and koto music bring the East out West.

Bay One Acts Festival, Boxcar Theatre, 505 Natoma, SF. www.bayoneacts.org. April 22 — May 12, 2012, $25–$45 at the door or online. Showcasing the best of SF indie theater, with new works by Bay Area playwrights.

Earth Day, Civic Center Plaza, SF. (415) 571-9895, www.earthdaysf.org. April 22, free. A landmark day for the “Greenest City in North America,” featuring an eco-village, organic chef demos, a holistic health zone, and live music.

Wedding and Celebration Show, Parc 55 Wyndham, 55 Cyril Magnin, SF. (925) 594-2969,www.bayareaweddingfairs.com. April 28, 10:00am-5:00pm. Exhibitors in a “Boutique Mall” display every style of product and service a bride may need to help plan his or her wedding.

San Francisco International Beer Festival, Fort Mason Center, Festival Pavilion, SF.www.sfbeerfest.com. April 28, 7pm-10pm, $65. The price of admission gets you a bottomless taster mug for hundreds of craft beers, which you can pair with a side of food from local restaurants.

Pacific Coast Dream Machines Show, Half Moon Bay Airport, 9850 Cabrillo Highway North, Half Moon Bay. www.miramarevents.com/dreammachines. April 28-29, 9am-4pm, $20 for adults, kids under 10 free. The annual celebration of mechanical ingenuity, an outdoor museum featuring 2,000 driving, flying and working machines from the past 200 years.

May:

San Francisco International Arts Festival Various venues. (415) 399-9554, www.sfiaf.org. May 2-20, prices vary. Celebrate the arts, both local and international, at this multimedia extravaganza.

Cinco de Mayo Festival, Dolores Park, Dolores and 19th St, SF. www.sfcincodemayo.com. May 5, 10am-6pm, free. Enjoy live performances by San Francisco Bay Area artists, including mariachis, dancers, salsa ensembles, food and crafts booths. Big party.

A La Carte and Art, Castro St. between Church and Evelyn, Mountain View. May 5-6, 10am-6pm, free. With vendors selling handmade crafts, micro-brewed beers, fresh foods, a farmers market, and even a fun zone for kids, there’s little you won’t find at this all-in-one fun fair.

Young at Art Festival, De Young Museum, 50 Hagiwara Tea Garden Drive, SF. (415) 695-2441.www.youngatartsf.com. May 12-20, regular museum hours, $11. An eight-day celebration of student creativity in visual, literary, media, and performing arts.

 

This article is courtesy of and continues at Spring fairs and festivals | SF Bay Guardian.

Festivalsf-shakespeare-festival

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The great unknown | SF Bay Guardian

The great unknown

Together over 30 years, Eiko and Koma are still investigating the secrets of the universe

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(0)
We got us: Eiko and Koma strike a stark pose.

PHOTO BY PHILLIP TRAGER

arts@sfbg.com

DANCE The United States Bicentennial, 1976, was also the middle of what some have called the Golden Age of American dance. Balanchine premiered Union Jack; Twyla Tharp turned ballet inside out with Baryshnikov in Push Comes to Shove; the Philip Glass-Robert Wilson-Lucinda Childs team had a monster hit with Einstein at the Beach (side note: Berkeley’s Cal Performances presents it in October); and the Merce Cunningham Dance Company was invited to the prestigious Avignon Festival for the first time.

At the Performing Garage, Manhattan’s dumpiest theater in not-yet-chic SoHo, two small, skinny, New York-based Japanese dancers — just back from Europe where they had soaked up what had remained of German Expressionism — premiered White Dance. They were Eiko and Koma. An excerpt from that early work will close their two-week residency at Yerba Buena Center for the Arts.

Eiko and Koma have changed dance the way few others have. They have redefined theatrical time and space, the body as an instrument, and concepts surrounding expressivity. With but a few exceptions, they have always created on themselves. One man, one woman — and the universe. Most remarkably, to this day they have no imitators. They are truly unique.

While they sometimes paint their bodies white and have learned from Butoh’s glacial sense of time — they were early, though for a short time only, students of Butoh founder Tatsumi Hijikata — their works have none of that art’s existential emptiness; neither its twist of anarchy and despair, nor its dark sense of humor. Eiko and Koma see themselves connected to something larger than ourselves. They call their pieces Tree, Breath, River, Echo, Land, Wind. Their latest work is Naked.

David Harrington, founder and first violinist of the Kronos Quartet, has known the duo for close to 20 years. Speaking from Toronto, where the musicians are on tour, he describes what these dancers do as “traveling through time, memory, and experience to find something that, perhaps, we didn’t know existed.”

Watching Naked, he says, “I totally understood nakedness and the reason for it. There was something so honest and revealing and personal, and it was dangerous as well. They are about my age, and there they were offering themselves to the universe in such an incredible way. My feeling at the moment was that all of us, no matter how old we get, were very, very young. The flesh takes on different forms of age, but still we almost become like babies. Age no long had any meaning because I thought they were communicating with the universe in this incredible way.”

Drawing on this experience encouraged Harrington to commit to the four-hour Fragile, a collaborative installation between Kronos and Eiko and Koma this coming weekend. Harrington remembers that the duo had told him of three events that had formed their creativity and outlook: the dropping of the atomic bomb that happened before their birth; the 1967-68 student riots in Tokyo in which they participated, and the recent tsunami. So he composed Fragile‘s score from documentary material and music from Kronos’ repertoire plus — a first for Kronos — by Richard Wagner.

The following weekend’s Regeneration will offer Raven, Night Tide, and an excerpt from White Dance. At pre-performance event March 24, kindred spirit Shinichi Iova-Koga of inkBoat will interview the two artists about their working method and other topics.

The great unknown | SF Bay Guardian.

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